just listen to the whole damned thing
All-eyes on the rarest blood Type to follow wild
down-upstart Bloody Kisses, and
Petrus and Co (new drummer Johnny Kelly, better than Sal), providing
disclaimers and hopes the album isn’t too disappointing, deliver a great, grand
luscious force of volume and nature. No filler, no gimmicks, no shouting, no
hate, the band distancing itself far away from Brooklyn, its scenes, and into
the organic nature of sound and instrumentation, in perhaps the most
orchestrated capture of a season and its smells and tastes. Peter is at his
most disarming here, narrating love, romance, sadness, hedonism, lupine and
ghost lore with delicate attention to the orange, yellow, green, brown wall of
guitar, cymbal, and keyboard drone, more ambient than attacked. October Rust grows its strongest as it
travels deep into the indigenous, its opening outskirts a little forced (I
hate, hate, hate the coda for Be My
Druidess) and hokey (My Girlfriend’s
Girlfriend). It isn’t until Burnt
Flowers Fallen and its wickedly brilliant minimalism that the album grows
moss around its ears and becomes a fully realized, breathing, sexual creature
with no piece of its anatomy to overlook. Closer Haunted, in its 10 minutes of grueling throes, is the damned
saddest thing I’ve ever heard, a Floyd-ian nod, extracting all said life
essence gathered but not without a final, brief, reasoning of sunlight. Tragically
underrated as a remarkable album, a classic, one that ensnared a theme, drank
its wisdom, then let it fly into atmosphere, never to be repeated or emulated.
Essential.
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